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  • AMY PATTON, DIRK PEUKER, SPECIAL GUESTS: MOMUS, ADAM RAYMONT / FADE TO BLACK

    FADE TO BLACK

    image-3
    P1020785
    DIRK MASTER SERIE TOWERS
    ADAM DRAWING 01
    ADAM DRAWING_02
    SILK 01
    SILK 04

    SILK 05
    01_NEUNDRACHEN
    image-4

  • ULRIKE KUSCHEL, THOMAS BAYRLE, DANI JAKOB, SUNAH CHOI

    Kuschel, Jakob, Bayrle, Choi

    Ulrike KuschelUlrike KuschelUlrike KuschelUlrike Kuschel
    Thomas BayrleThomas BayrleThomas BayrleDani JakobDani JakobDani Jakob

    Dani Jakob
    Dani Jakob
    Sunah ChoiSunah ChoiSunah Choi

    sunah

    />
    Sunah ChoiSunah ChoiSunah ChoiSunah ChoiSunah Choi

     

  • LENA INKEN SCHAEFER, JOANNA WARSZA / IT ALL BELONGS TO YOU

    ITALLBELONGSTOYOU1

    IT ALL BELONGS TO YOU*

    it all belongs to you 1
    J.Warsza: Dead-Time

    An Exhibition in a form of a time-based lecture illustrated by art and non-art produced by electrowaves, robots and tv screens;
    The full turn of a Telecafe situated at the top of Berlin TV Tower was initially taking a full hour. After 1989 it was shortened to 30. minutes. The TV Tower time speeded up and a half an hour was cut out. Vivre sans temps mort – „live without dead time” was the appeal of the Situationists in the 1960’s. The lecture will take place in those 30 lost minutes and will refer to selected, often ignored facts and myths of the TV Tower illustrated by a choice of art and non-art. Including works by Jean-Marc Chapoulie, Bertrand Dezoteux, Mark Formanek, Niklas Roy, Rusiko Oat & Pit Schultz; Duration: ’30 min, Capacity: 64 seats; Deadline for turning up: 20.30; With the support of the Polish Culture Institut in Berlin
    Foto: Patricia Lewandowska

    It all belongs to you 80
    J.Warsza: Dead-Time

    In Georgia in the 90. during so-called Millenium Years, when the electricity was more absent than present, some Georgian channels were illegally broadcast on the foreign-channel frequencies. As a result there were two supposed programs and two logos on the screen and the transmission was sometimes interrupted, bringing the screen to a standstill.
    A dramatic image of the face of an old lady comes from a commercial from TWIX. Labeled with the mysterious icon 'No-Signal', it creates a new image, quite remote from the original ideea of an advertising spot and bearing fantastic information. In the logic of media marketing, this was a kind of electronic magic, creating your own interpretation of neo-now.

    It all belongs to you 78

    L.I.Schaefer 1
    Lena Inken Schaefer

    DE: 1. Nummerierte Eisenkurbel vom Haken nehmen 2. Ausstellungsraum verlassen und mit Eisenkurbel zum Zielort Otto-Braun-Straße, Ecke Karl-Marx-Allee gehen 3. Orientierungshilfe: 1. Weltzeituhr passieren 2. Straßenbahngleisverlauf bis zu großer Straßenkreuzung folgen 3. Alexanderstraße überqueren 4. Otto-Braun-Straße überqueren 4. Alten Gehwegplattenverbund im Bauzaunbereich aufsuchen 5. Platte mit 17er-Nuss aufsuchen 6. Nicht beringtes Kurbelende in die Nuss stecken 7. Platte ist nun betriebsfertig 8. Eisenkurbel vorsichtig im Uhrzeigersinn drehen 9. Vorgang bei Gewindewiderstand sofort beenden 10. Platte kann nun betrachtet werden 11. Nach Beendigung Nuss in Ausgangsposition zurückversetzen, hierzu Drehvorgang in entgegengesetzter Richtung wiederholen
    EN: 1. Take the numbered iron crank off the hook 2. Leave exhibition space with iron handle and go to destination Otto-Braun-Strasse, corner Karl-Marx-Allee 3. Orientation: 1. Pass World Clock 2. Follow tram tracks to major intersection 3. Cross Alexander Street 4. Cross Otto-Braun-Straße 4. Locate the old paving slab in composite construction fence area 5. Find plate with 17mm nut 6. Stick the not banded crank end in the nut 7. The plate is now ready for use 8. Carefully turn iron crank clockwise 9. Immediately terminate process for threaded resistance 10. The plate can now be considered 11. After finishing bring back the not to the starting position, thus repeating process of rotation in the opposite direction.

    L.I.Schaefer2
    Lena Inken Schaefer, Otto-Braun-Str./Karl-Marx-Allee, Berlin


    It all belongs to you


    It all belongs to you 58

    It all belongs to you 9

    IP-Berlin_logo_web

  • YUSUF ETIMAN, THOMAS KILPPER, THOMAS NÖSLER, JOHANNES PAUL RAETHER

    Splace, Thursday 9.9.2010 / 19.00-22.00

    SPLACE_YUSIYusuf EtimanYusuf EtimanYusuf EtimanYusuf Etimangoing_look1going_look2going_look3Thomas KillperThomas KillperJohannes Paul RaetherJohannes Paul RaetherJohannes Paul Raether

  • ANTJE MAJEWSKI, AGNIESZKA POLSKA / FREISLER

    ________________________________________________________________________

    Antje Majewski, Agnieszka Polska
    FREISLER
    Splace, Thursday 2.9.2010 / 19.00-22.00
    ________________________________________________________________________

    Freisler
    Agnieszka Polska Agnieszka Polska Agnieszka PolskaAntje MajewskiAntje MajewskiAntje MajewskiAntje MajewskiAntje Majewski

  • Filmprogramm

    FILMPROGRAMM
    Leopold Kessler, Olaf Nicolai, Bettina Nürnberg & Dirk Peuker, Matthias Müller, Salla Tykkä, Karl Kels, Mathilde Rosier
    Splace, Donnerstag 26.8.2010 / 19 - 22 Uhr

    Filmprogramm

    SPLACE_FILM_01
    SPLACE_FILM_02
    OLAF 01
    OLAF 02
    splace_AMERIKAN02
    splace_AMERIKAN HOUSE
    SALLA_01
    SALLA_02
    Kels_Flusspferde
    Rosier03

  • DELIA GONZALEZ, JARO STRAUB / ELEVATION SET - A TRIBUTE TO CASS ELLIOT

    ELEVATION SET   -  A TRIBUTE TO CASS ELLIOT

    Delia Gonzalez, Jaro Straub & Special Guest Mia Von Matt


    Performance 21.00h


    Splace, Donnerstag 19.8.2010  /  19 - 22 Uhr

    CASS ELLIOT

    Jaro Straub 1Jaro Straub 2Jaro Straub 3Delia Gonzalez, Mia von MattDelia GonzalezJaro Straub 4

  • Hendrik Weber Transitory Triplet

    SPLACE, Donnerstag, 12. 08. 2010 /  19 - 21 Uhr

    Hendrik Weber: Transitory  Triplet

    Hendrik Weber 1Hendrik Weber 2Hendrik Weber 3

  • JULIANE SOLMSDORF / L'OBJOIE


    L´OBJOIE_J.SOLMSDORF_1
    J-SOLMSDORF_SPLACE-4J-SOLMSDORF_SPLACE-5J-SOLMSDORF_SPLACE-6J-SOLMSDORF_SPLACE-3J-SOLMSDORF_SPLACE-1J-SOLMSDORF_SPLACE-2

  • Luis Berríos-Negrón / have balls. case 2. [ECCENTRIC]

    LBN+AXP_C2

    The Anxious Prop, Case 2

    The Anxious Prop is a communal effort conceived by Luis Berríos-Negrón with a group of Berlin-based practitioners. These efforts have materialized in three parts: ongoing discussions, exhibition/actions (Alexanderplatz being the first public arm of this), and sporadic publications. That which is common among the group is its desire to enjoy work considering two parameters: 1. We are not in the business of assigning values and/or meanings to existing, ready made objects. We are in the labor of fabrication, of producing epistemic forms, shapes and figures that are deeply committed to alternative, preferably digital fabrication, techniques; 2. That these forms, shapes and figures have the quality, the disposition to be activated, meaning that along with the fabrication, there needs to be a simultaneous, aggressive awareness of what the performative dimension of it is, i.e. what kind of mechanism needs to be designed for it to be nothing but challenge the conventions of “prop.” Alexanderplatz serves as the site for the group’s first physical exploration of the term—a decentralization, or eccentric search for our postcapitalist selves in the form a multiplicity of spherical studies, shunning away from the finished work or nostalgia for democratic constructs and the illusion of justice ebbing from fruition.Luis Berríos-Negrón 1Luis Berríos-Negrón 2Luis Berríos-Negrón 3Luis Berríos-Negrón 4Luis Berríos-Negrón 5

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